Indigo People – ‘Glasshouse EP’

Around this time last year, I did a review of an ethereal jazz artist who goes by the moniker Chris Topher. He had just released his fourth EP, Green Machinea release that featured Topher collaborating with Silvia Plath, Carl Sagan, and Jackson Pollock. A year before that, I did my first review of Chris’ music on Introspective. The reason I bring up Chris Topher in the first place is because he has a new moniker, Indigo People. And as Indigo People, he’s expanded the single he released last September into a complete EP. enjoy.

Glasshouse starts with “Daydreamer,” a piece that incorporates a familiar element from Chris Topher/Indigo People, some scholar discussing our universe. These audio clips have always drawn me to his music. They’re thought provoking and really make the aura of these songs. Next is “Silent Film.” This was the single from last year. So far, we’ve got a new name, but not any changes to the music. Let’s continue.

“Passeig de les Aigues” knocked me out. It’s where the new sounds finally emerge. The song starts with a mandolin line, something that I’ve never heard in a prior EP. The direct words of “Daydreamer” are replaced with the singing of birds. It’s very folk-era Zeppelin. A bass line hits that brings thunder into the forest. This is followed by strings and tambourine on the tail end of the song that are some other forrest-y thing. This is a brand new world for this artist. This is Indigo People.

But, Topher’s piano lines are still present, leading us through this new territory. “Keukenhof Gardens” somewhat returns to space, but takes an electric drum kit with it. The outro on this one beautiful; the pianos and guitars delicately bounce off each other. The last song is “Blue Box.” And we’ve got more new elements, glitchy synth and tasteful beat-boxing. “Blue Box” jumps around way more rapidly than the prior pieces. Paino, guitar, kit drums, more glitches, and a funky bassline all enter and exit at leisure. The three-and-a-half minute coda feels long, because we’re hit with so much, so quickly. It’s another large step forward for this artist. As long as he keeps experimenting and his music keeps intriguing me, he can call himself whatever he wants.

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