Veiny Hands Release “Mountain Goat” Video

St. Pete darlings Veiny Hands have been kicking ass for a year-and-a-half now, but they’ve really turned up the heat on this new song/video. The video, directed and edited by Michelle Primiani, features the foursome ripping through the “Mountain Goat” while their movements blur beneath a saturated filter. Enjoy.

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The Ashtray Sweat Weather

The Ashtray – ‘Sweat Weather’ (ep review)

The Ashtray is an Orlando garage rock trio whose debut EP Sweat Weather was released just a few weeks ago on April 26. The band features TVW contributor Andres Andrade on fuzzed-out guitar, acting as a thick base for Brendan (vocals/guitar) and Paul (drums) to go absolutely insane and leap off of. Brendan’s vocals on songs like “Late Last Week” and “P I N K” sound like the walls of his throat are caving in. He holds nothing back.

Although a short four songs, Sweat Weather covers a lot of distorted ground, jumping in-and-out of punk, garage rock, noise, Pixies-esque grunge, and sad boy emo–there’s even elements of drone in the walls of guitar I previously mentioned. EPs often get overlooked as the precursor to a full-length album, but I’ve always seen them as band’s compacted mission statement. Four or five really good songs is so much better than an album bogged down with filler. And at less than 10 minutes, Sweat Weather is a great snack of a listen that feels like a journey through noise both past and present. 

just some songs. (11/13)

just some songs. (11/13)

Before I brought this song to experimental folk artist Tiger Fawn’s attention, she didn’t even know it existed. According to TF, a bunch of students reworked the song for class, and this particular remix made its way onto the internet. Thank dog it did.

I’ve been keeping up with the Soundcloud of Orlando MC Bernz for a minute now. He drops new music almost every week, all of which contain a top notch instrumental and Bernz’s ever-changing flow. This new track, “INSANE,” is no exception — the hook is monster!

DVWEZ is the moniker of Drogue Record‘s Delia Albert. The PBR&B songstress’ sweet lulls are so smooth as BUTTA. The instrumental on “Haunted” is just that, an eerie sweeping electronic, produced by Albert and fellow Orlando dynamo, Dromes.

I was introduced to yrs*trly through fellow producer, Side C. Both are members of With Love., a collective of supremely talented electronic artists, all based out of Orlando. With “greetz2.0,” I’m instantly thrown into a euphoric relaxation. This is music to get lost in.

“Satellite” is the third song off of Island Science’s forthcoming debut release. This melancholic drone pop outfit has yet to play live — fyi girls, people want it.

just some shows. (11/12 – 11/14)

While perusing my never-ending borage of Facebook event invites (not complaining, I like doing things.), I noticed that there’s some good shit happening this week. Too much to ignore. These are by no means the only excellent events happening this week, but they’re the ones I’m not missing. Enjoy.

THURSDAY

A Rock & Roll Picture Show

Thursday, Uncle Lou’s is serving-up a hearty plate of Central Florida rock & roll. Included in this six band lineup are rowdy duo Dose Amigos, lo-fi loner BLCH, and The Ashtray, an alternative rock outfit that features TVW writer Andres “Andy” Andrade. Dubbed the “Rock & Roll Picture Show,” this evening will convince your eardrums that it’s the weekend.

more info.

FRIDAY

Always Nothing One Year Anniversary

Orlando creative conglomerate Always Nothing never do anything by the book. On Friday, they turn one! Their birthday party is sure to be a unique combination of art and live music. The appropriately peculiar Moon Jelly will be putting on their spectacular live show — past shows have incorporated elaborate lighting rigs, projections, and neon glasses that fragment light. All of this madness serves as the canvas for the raw artistic talent that is the band’s four musicians. Joining them will be Gainesville producer Euglossine and two NYC atmospheric artists, Cuddle Information and There Are No Thieves. Not all of the night’s info is posted yet, including the location, so keep an eye on the event page.

SATURDAY

Music On Mills

Four stages. Thirty Orlando acts. One charming street. The second annual Music on Mills festival is destined to be one of the biggest events of the year. The unstoppable Jessica Pawli has pulled together an all-Orlando lineup showcasing a myriad (the only appropriate word) of bands, solo artists, and DJs, playing at a few Mills hotspots: BART, St. Matthew’s, Wally’s, and Will’s Pub.Proceeds from the $10 ticket ($15 on Saturday) will help fund public art and safety projects in the Mills 50 District. It’s been interesting watching this event take shape — I even helped select a few of the acts (thanks Jessica for including me!).

Catch Jessica every Friday on WPRK from 4 p.m. to 5 p.m. Every other Friday, I’m on with Mitch Foster from Shows I Go To!

DO NOT MISS: ARK, The New Lows, Common Man, Someday River, Thrift House, and Zoya Zafar.

more info.

Ladies Get Lit

On the same night as Music On Mills, Lil Indies (the bar adjacent to Will’s) is housing Ladies Get Lit, a celebration of Orlando’s literary females, hosted by three Orlando zines: let’s kiss (run by TVW contributor Karina Curto), Phosphene Girl, and Tittie-Thyme. Each will be slinging a new issue of their respective zine while musicians and spoken word artists take turns on the mic.

more info.

 

Odessos Move track review

Odessos – “Move” (track review) \\ ep out 10/23

One cannot have enough of this new Odessos track. It’s like disco went on a road trip to Cali and didn’t stop, save for gas and cigs. “Move” is titled appropriately considering it persists in grabbing your hand and pulling you back out on the floor. A sweet mixture of wavy guitar and groovy bass lies on a bed of smooth, funky drums that keep you comin’ back for the flavor.

As it turns out, “Move” wasn’t the only preview I would be getting of their upcoming EP, Ursus Arctos Arctos. The EP is set to release at Will’s Pub on Nov 8th; however, Richard was gracious enough to offer me a listen to a handful of final mixes. What I experienced was exactly what I was looking for out of a modern band. Their interesting song structures and alternate time signatures diversifies the group of songs without taking them out of their element. Hearing the mixes turns my attention to their upcoming Off The Avenue session on the 17th. The atmosphere this talented band has created should make for a fantastic video.

Long story short, Ursus Arctos Arctos is fucking phenomenal. Get psyched.

Odessos – “Move” (track review) by Graham Johnson

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Boxing At The Zoo - 'BATZ' (ep review)

Boxing At The Zoo – ‘BATZ’ (ep review)

A few months after the release of Daydreamer by The Young Psychedelics, the band has been reduce to only two members. Count your lucky stars that Daniel Ramos isn’t one of them.

Alongside Chase Bauduin’s grand bass playing and fall-in-love-with- me vocals, Andrew Lesmes’s impactful drumming (already stoically seen in local psychedelic-revival band, The Detour), allows for Daniel’s return to the role of charismatic and energy-releasing lead guitarist for his band, Boxing At The Zoo. Fueled by captivating indie pop rock that mixes the emotional depth of early Modest Mouse, the catchy rhythm of Vampire Weekend debut, and the blissful vocals of The Head and the Heart, Boxing At The Zoo self-titled EP (BATZ) strikes a chord of harmony and progression for the Central Florida independent scene.

BATZ opens with “Wanderlust,” a playful tune that drags you in with its brilliant rhythm and friendly indie pop sound. Flowing into “Ms Molly,” Boxing At The Zoo demonstrates some playful riffs — their signature at this point. Remarkably, these two are the most straightforward tracks on the EP.

Leading into “Another Story (Feel So Low),” the dynamic sound of earlier tracks are simply and elegantly shifted into a bouche of elegant lyrics: “Another story/Just another chance to be proven wrong/Just another chance to move along.” Chase’s vocal duet with Daniel provides a milky mixture of sincerity and passion. “Gone,” a song drenched in lyrical depth and an attitude that strives for hopelessness, continues this trend with the lyrics, “No point in dragging distant memories/No, they won’t make me a better person.”

“Time Will Tell” drags you back into the quick and promising indie pop from “Wanderlust” and “Ms Molly.” BATZ closes with another passive-aggressive tune that is filled with as much elegance as any track on this EP: “If you simply tell me you miss me/ I can pretended to care.” Daniel gives us a wink with this solo near the end of this track and wraps us all completely up with: “Oh she loves me!/Yeah she loves me!/ And she knows it!”

Beautiful and drenched with a taste for irony, Boxing At The Zoo presents an enthrallment for independent rock in Central Florida. As Daniel continues to provoke us with realistically romantic lyrics, we can only wait around patiently, for more.

Boxing At The Zoo – ‘BATZ’ (ep review) by Andres “Andy” Andrade 

Living Decent - 'Living Decent' (ep review)

Living Decent – ‘Living Decent’ (ep review)

Fall in Florida is weird. One day, you feel like you’re floating in the middle of a PSL, nuzzled-up watching trees slowly die. The next, that unforgiving bitch summer shows her nasty head like the ex you can’t get rid of. This back-and-forth, bipolar game of love can stretch throughout winter, and can suck the holiday spirit out of old Santy Claus himself. On their debut EP, Living Decent encapsulate this feeling with a release that soundtracks both the cool breeze of fall, and the hot hell of fall. Enjoy.

At first glimpse — or whatever the auditory version of a glimpse is — Living Decent seems like a full on summer EP; it was released back in July and the guitar often sounds like soft swells, running onto warm sand. But on the intro, “Close Enough to Keep You Close,” Victor Alvarez’s voice sparks a sentiment that thrusts me  into the cool isolation of autumn. His ghostly tones engulf the release in a sense of longing — hauntingly abundant on the hook of “Borrowed Bike”: “You feel like home.”

This theme of nostalgia as pain is further exemplified in the song’s video. In it, we watch an old home video, a flashback to a time where the American life was simpler, more pure. Although the instrumentals in their openness create the sensation of freedom, the EP as a whole tries to recapture a lost feeling. “Bad Collections” cries, “Your glowing lights are now receding.” Like a Floridian longing for jacket appropriate weather, Living Decent look at the skeletons in their closet and wish they were still flesh and blood.

Take me back
Back before the day we met
Back before we had any consequence